![]() ![]() As the band complemented Trey's beautiful and relentless chops, the band soared into a sequence of pure perfection and joy that outlined the basis of the second set making for an everlasting memory of a Fourth of July. First Tube couldn't have been a better choice for a closer. Theme from the Bottom and BDTNL appropriately made their way into the set with ease. ![]() All the jams swayed and featured little to no meandering or grave struggle to brew the jam commonly faced in 3.0. Possibly only rivaled by the FYF show with most back to back jams in 3.0. This completed one of the most jam packed 3.0 sequences of songs in the second set. As Mike dropped bombs, Trey made the jam connect, and Page filled in all the necessary blanks to make this an invoking and serenading jam. This Light jam reached some great points in an equal contribution from all band. Next, the band showed us their willingness to jam with Light, a song that has been continuously advocated in 3.0. ![]() Nonetheless, if if wasn't in this show, it would probably be praised all around, but this show featured several other jams that deflected attention from this jam. A classic Twist jam that ended with 3.0 ambience. Twist was the least noteworthy jam of this show. After Fishman showed us his chops, the band sunk into a spacey but rhythm driven segment complemented by mouth noises from Trey and indulgent drum beats from Mike. Fishman was crisp sounding and always in sync with the band. This was extremely rhythmic with Fishman filling in all the empty spaces in the jam. We didn't get much of the typical Trey solo from the start of the jam. The band was particularly patient in this one. Never breaking the flow of the set, Down With Disease told us that we were in for a another jam. The band lifted the crowd off it's feet and delivered a jam that will not be forgotten. The apex of this jam is very much so memorable. In what was somewhat forced (for a great reason), Trey fueled the foundation by fiddling with powerful yet high pitched chords that completed and defined the first Fuego jam ever. Trey began to play a sequence of notes that needed more umph. As soon as we got to this point, we knew this was going to finish off as an uplifting jam. After struggling to find a solid foundation (sloppiness and noodling were still avoided), the band reached a point where they could liftoff from there on forward. As the band worked their way into the jam segment, we knew they were dedicated to delivering a jam of this caliber. ![]() In return from the lack of covers, we all knew Fuego was going to earn the glorified second set, first song slot sometime soon. Following MPP, most shows packed the punch and brought many noteworthy jams to Phishdom.Īnd as for this year.the summer tour hump looks like it is gonna be this show: 7/4/14. The summer tour hump jam last year was the 7/14/13 MPP Light, where the band finally settled down and delivered a concise and rhythmic jam that set the standard for the 2013 jamming style filled with stops and starts. This continues for a bit until the band finally settles in, gets comfortable, and realize that patience is the key to putting on a good show. The jams are good, but never seamless and certainly never flawless. Every summer it seems as if the first couple shows feature one or two notable jams that tend to be sloppy since the band is just getting started and back to the routine. After last night's show, we are guaranteed a jam-filled, flowing, and concise summer tour. Congrats everyone, we got over that Summer tour hump. ![]()
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